In this way, Ballard is able to discover a link in the trafficking chain, and he launches an operation to nab the trafficker. He wins the trust of his latest sicko by taking him out of his holding cell and implying that he himself is also a secret pedophile. It’s that he’s catching culprits without rescuing the children. But what haunts him isn’t just the awfulness of these crimes, the horrific videos he has to watch. Ballard has been on the beat for 12 years and has captured some 280 pedophiles. Special Agent Ballard, meanwhile, is in the midst of entrapping his umpteenth Internet consumer of child porn. When he does, the place is dark and abandoned. He’s instructed to drop the kids off at an apartment, where there are a dozen other child contestants inside, and to return a few hours later. In a sequence that’s suck-in-your-breath devastating, Roberto (Jose Zuniga), a single father in Honduras, agrees to let his 11-year-old daughter, Rocio (Cristal Aparicio), and her 7-year-old little brother try out for a music competition show that’s being overseen by Katy-Gisselle (Yessica Borroto Perryman), who is professionally poised and glamorous, and therefore seemingly trustworthy.
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He knows how to underplay the rage and despair, and how to make the drama of going undercover into something lifesize. That said, it’s an urgent and honest one, and Caviezel gives his most committed performance since “The Passion of the Christ.” He’s seasoned now, with the smoldering aura of a more sensitive Clint Eastwood. But it’s extraordinary.) This is a genre thriller.
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Yet “Sound of Freedom” isn’t a work of art like Lukas Moodysson’s “Lilya 4-Ever” (2002), the one great movie that’s been made about sex trafficking. It taps our primal emotion of empathetic terror. One of the purposes of a movie like “Sound of Freedom” is to sound the alarm, in the way that a dramatic feature film can do and that journalism often can’t. Let’s be clear: This matters more than the cocaine or opioids industry. And the nightmare lived by captured children is unspeakable, unimaginable…and all too real. A closing title states - accurately - that there are more people enslaved now, by sex trafficking, than there were when slavery was legal. Child sex trafficking, by contrast, isn’t a subject that lends itself to “entertainment.” But as “Sound of Freedom” informs us, it’s the fastest growing international criminal network the world has ever seen.
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How many movies and TV shows have we all seen about drug trafficking? Too many. It was finally bought back and is now being distributed independently. The film was completed in 2018 and then shelved by Disney (after it acquired 20th Century Fox, the film’s original studio). (The movie opens July 4.) Even then, you needn’t hold extreme beliefs to experience “Sound of Freedom” as a compelling movie that shines an authentic light on one of the crucial criminal horrors of our time, one that Hollywood has mostly shied away from. Yet let’s assume that, like me, you’re not a right-wing fundamentalist conspiracy theorist looking for a dark, faith-based suspense film to see over the holiday weekend. The movie has a Christian undercurrent that occasionally becomes an overcurrent, as when Ballard explains why he’s fixated on the crime of trafficking: “Because God’s children are not for sale.” “Sound of Freedom” has been heavily marketed on right-wing media, like Ben Shapiro’s Daily Wire, and - one of the grand subtexts of all of this - in taking on the issue of the horrific criminals who kidnap and traffic children, the film could be seen as adjacent to the alt-right paranoia that was originally stoked by 4Chan and QAnon: the wing-nut conspiracy theory about a Washington, D.C., pizza parlor being a front for a pedophile ring, extending into the larger conspiracy theory that says that the whole culture of liberalism is a racket to protect and cover up a cabal of pedophiles.Īll of that, let’s be clear, is insane nonsense.
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